Suicideboys Posters
Every Suicideboys album cover, era by era
The 2015 Grey Era EP Run2015
- GrayGrey An early-2015 EP whose title alone declares the palette the whole G59 world would be built on.
- 7th or St. Tammany A raw New Orleans-rooted project that names the parish geography the duo grew up between.
- High Tide in the Snake's Nest A 2015 mixtape from the run that put the underground on notice, all murk and menace.
- Now the Moon's Rising Late-2015 EP art that leans into the nocturnal, occult mood at the heart of the catalog.
- Grey Sheep The original Grey Sheep EP, a fan cornerstone and the start of a two-part statement.
The Grey Era Peak2016
- Dark Side of the Clouds A February 2016 EP whose hazy, storm-grey cover is pure Southern gothic atmosphere.
- Grey Sheep II The 2016 sequel that completes the Grey Sheep pair beloved by longtime listeners.
- Eternal Grey A September 2016 EP that names the aesthetic outright and closes out the peak Grey run.
Studio Albums and Solo-Era Mixtape2018-2020
- I Want to Die in New Orleans The 2018 debut studio album and Billboard 200 breakthrough, the definitive centerpiece cover.
- Stop Staring at the Shadows A 2020 mixtape from the chapter when Ruby da Cherry and $lick $loth recorded under their own aliases.
G59 Collaborations2022
- DIRTIESTNASTIESTUICIDE A 2022 collaborative EP with G59 labelmate Germ, dialing the grime all the way up.
Why the $uicideboy$ aesthetic belongs on a wall
$uicideboy$ never looked like anyone else, and that is exactly why their cover art holds up as a print. The New Orleans duo of Ruby da Cherry and $lick $loth built the G59 world on a grey palette, occult and horrorcore imagery, and a DIY grit borrowed from the punk and metal scenes they came up in. Skulls, upside-down crosses, hazy Southern gothic textures, hand-drawn logos: it is artwork made to unsettle, and it translates cleanly to a large-format print where the muted greys and blacks read as intentional rather than dull. Hang one of these and the room gets a little colder in the best way.
From the debut album to the Grey era
The centerpiece here is I Want to Die in New Orleans, the 2018 debut studio album that pushed the duo onto the Billboard 200 and gave fans a definitive cover image tied to their home city. Around it sits the run that built the legend: the prolific EP output of the Grey era, when the Boy$ were dropping projects at a pace almost no one could match. Grey Sheep and its sequel Grey Sheep II anchor that stretch, joined by Eternal Grey and the smoky Dark Side of the Clouds. For the era when the two briefly worked under their own names, Stop Staring at the Shadows captures the 2020 chapter. Whether you came in through the early mixtapes or the studio albums, there is a cover in this collection that marks your entry point.
A quick buying guide
Every design prints in four sizes so you can match the wall, not the other way around. A4 is the desk or shelf-lean size, A3 is the easy single-frame pick above a bed or console, A2 is the statement piece most fans reach for, and A1 turns a cover into a room anchor you notice from the doorway. Choose unframed if you already own frames or want to clip and pin the print in a more raw, zine-like way that suits the G59 look. Prefer it ready to hang? A black frame keeps the focus on the dark artwork and disappears into most rooms, while a white-chrome frame lifts the greys and gives the piece a cleaner, gallery-forward finish. There is no wrong answer, only the mood you want.
Gallery-wall ideas
These covers were made to be seen together. Try a tight three-up of the Grey trilogy in matching black frames for a monochrome column beside a desk. Mix an A2 hero like the debut album with two A3 EP covers flanking it for a classic salon layout. Because the whole catalog shares that grey-and-black language, you can go heavy on quantity without the wall turning chaotic. Space the frames a hand-width apart, keep the sizes deliberate, and let the palette do the unifying work.
Browse every Suicideboys poster in this collection (11)
suicideboys Grey Sheep posterFrom A$29.99
suicideboys GrayGrey posterFrom A$29.99
suicideboys I Want to Die In New Orleans posterFrom A$29.99
suicideboys High Tide in the Snakes Nest posterFrom A$29.99
suicideboys Eternal Grey posterFrom A$29.99
suicideboys 7th or St Tammany posterFrom A$29.99
suicideboys Grey Sheep II posterFrom A$29.99
suicideboys Stop Staring At the Shadows posterFrom A$29.99
suicideboys Now the Moons Rising posterFrom A$29.99
suicideboys Dark Side of the Clouds posterFrom A$29.99
suicideboys DIRTIESTNASTIESTUICIDE posterFrom A$29.99
Built to last, made to order
Every $uicideboy$ print at Posters Base is produced on heavyweight matte museum paper, the kind of uncoated fine-art stock that kills glare and lets the deep greys and blacks of the G59 artwork sit rich and flat instead of shiny and cheap. Colors are laid down with archival pigment inks so the print holds its tone for years rather than fading to a washed-out ghost of itself.
Each poster is made to order. Nothing sits in a warehouse waiting; your size and frame choice are printed and finished once you order, which keeps the catalog wide and the quality consistent from the first EP cover to the debut album. Handle a new print by the edges, keep it out of direct sunlight, and if you framed it, a soft dry cloth on the glass is all the upkeep it needs.
Whether you are marking your favorite era or filling a wall with the whole grey world, these are prints meant to be lived with. Pick your cover, choose your size and frame, and let Posters Base handle the rest.
Good to know about Suicideboys
- $uicideboy$ is a duo of cousins: Ruby da Cherry (Aristos Petrou) and $lick $loth (Scott Arceneaux Jr.), also known as Scrim, both raised in the New Orleans area of Louisiana.
- The two formed the group in 2014 with a now-legendary pact: if their music career did not work out, they had agreed they would both take their own lives, which is where the dark name comes from.
- They own and run their own independent label, G59 Records, and have kept their catalog fiercely self-released rather than signing away to a major.
- The G59 name is commonly explained as Grey Five Nine, tying the group's signature grey aesthetic to Highway 59 near their home region, and it doubles as the number stamped across their $59-priced merch lore among fans.
- Before hip-hop, Ruby da Cherry came up as a drummer in the punk scene, playing in the band Vapo-Rats, which is a big part of why the G59 sound carries so much metal and punk grit.
- In their early years the duo were absurdly prolific, releasing a flood of EPs and mixtapes across 2014 to 2016, including the entire Grey era covered in this collection.
- I Want to Die in New Orleans (2018) was their first proper studio album and debuted at number 9 on the US Billboard 200, a landmark for a fully independent act.
- Stop Staring at the Shadows arrived in 2020 during a chapter when the two briefly recorded under their real-name aliases rather than the group banner.
- Their second studio album, Long Term Effects of Suffering, followed in 2021, and though it is not part of this poster catalog, it shows how far the grey world traveled from the early EPs.
- In 2023 the group ran the Yin Yang Tapes, a seasonal EP series that dropped new music every Friday for four straight weeks, proof the prolific G59 work ethic never faded.