What sizes do the Suicideboys posters come in?

Every design prints in four sizes: A4 for a desk or shelf lean, A3 for an easy single-frame pick, A2 as the most popular statement size, and A1 as a full room anchor. Pick the size that fits your wall and your framing plan.

Can I get these framed or do they ship as prints only?

Both. You can order any cover unframed if you already have frames or want to pin it up, or choose a ready-to-hang black frame or a white-chrome frame. Black keeps the focus on the dark artwork, while white-chrome lifts the greys for a cleaner gallery finish.

What paper and inks do you use?

Prints are produced on heavyweight matte museum paper with archival pigment inks. The uncoated fine-art stock kills glare and keeps the deep greys and blacks of the G59 artwork rich, while the pigment inks resist fading for years.

Which poster should I start with?

If you want the definitive piece, the I Want to Die in New Orleans debut-album cover is the natural centerpiece. Fans of the Grey era usually pair Grey Sheep, Grey Sheep II, and Eternal Grey together for a matching trilogy.

Are these made to order?

Yes. Each poster is printed and finished after you order in the exact size and frame you choose, so nothing sits in storage. That is why the full catalog stays available from the earliest EPs to the studio albums.

Do the posters look good grouped on a gallery wall?

Very. Because the whole catalog shares a grey-and-black language, the covers hang together without clashing. A three-up of the Grey trilogy in matching frames, or an A2 hero flanked by two A3 EP covers, both work cleanly.

How should I care for the print once it arrives?

Handle it by the edges, keep it out of direct sunlight to protect the tones, and if you framed it behind glass, a soft dry cloth is all the cleaning it needs. Matte prints should never be wiped with a wet cloth.

Are these Suicideboys tour posters official merchandise?

No, these are independent art prints inspired by Suicideboys and are not official or licensed merchandise. Our tour poster designs are original interpretations created by independent artists, so they will not feature official G59 branding or logos.

Can I get a Suicideboys album cover poster of a specific record?

Our collection features original art inspired by the themes and aesthetic of Suicideboys albums rather than exact reproductions of official album covers. Check the product listing for each design, and note that all prints are independent artwork and not official releases.

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Suicideboys Posters: from GrayGrey to DIRTIESTNASTIESTUICIDE

Museum-grade prints of $ and G59 cover art, from the debut album to the Grey era EPs.

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11 posters · from €11.95

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Every Suicideboys design and vision

11 signature designs in this collection

Suicideboys posters are independent, museum grade art prints, not official or licensed merchandise. Museum-grade prints of $ and G59 cover art, from the debut album to the Grey era EPs. Each print is produced on 200 gsm matte paper with archival inks, offered A4 to A1, framed or unframed.

Group: Suicideboys, hip hop duo from New Orleans
Members: Ruby da Cherry and Scrim (cousins)
Formed: 2014
Label: G*59 Records
Debut album: I Want to Die in New Orleans (2018)
Paper: Museum-grade 200gsm matte
Sizes: A4 to A1
Frames: Black, chrome white, or unframed
Offer: Buy 2 Get 1 Free

Why the $uicideboy$ aesthetic belongs on a wall

$uicideboy$ never looked like anyone else, and that is exactly why their cover art holds up as a print. The New Orleans duo of Ruby da Cherry and $lick $loth built the G59 world on a grey palette, occult and horrorcore imagery, and a DIY grit borrowed from the punk and metal scenes they came up in. Skulls, upside-down crosses, hazy Southern gothic textures, hand-drawn logos: it is artwork made to unsettle, and it translates cleanly to a large-format print where the muted greys and blacks read as intentional rather than dull. Hang one of these and the room gets a little colder in the best way.

From the debut album to the Grey era

The centerpiece here is I Want to Die in New Orleans, the 2018 debut studio album that pushed the duo onto the Billboard 200 and gave fans a definitive cover image tied to their home city. Around it sits the run that built the legend: the prolific EP output of the Grey era, when the Boy$ were dropping projects at a pace almost no one could match. Grey Sheep and its sequel Grey Sheep II anchor that stretch, joined by Eternal Grey and the smoky Dark Side of the Clouds. For the era when the two briefly worked under their own names, Stop Staring at the Shadows captures the 2020 chapter. Whether you came in through the early mixtapes or the studio albums, there is a cover in this collection that marks your entry point.

A quick buying guide

Every design prints in four sizes so you can match the wall, not the other way around. A4 is the desk or shelf-lean size, A3 is the easy single-frame pick above a bed or console, A2 is the statement piece most fans reach for, and A1 turns a cover into a room anchor you notice from the doorway. Choose unframed if you already own frames or want to clip and pin the print in a more raw, zine-like way that suits the G59 look. Prefer it ready to hang? A black frame keeps the focus on the dark artwork and disappears into most rooms, while a white-chrome frame lifts the greys and gives the piece a cleaner, gallery-forward finish. There is no wrong answer, only the mood you want.

suicideboys I Want to Die In New Orleans poster poster

Gallery-wall ideas

These covers were made to be seen together. Try a tight three-up of the Grey trilogy in matching black frames for a monochrome column beside a desk. Mix an A2 hero like the debut album with two A3 EP covers flanking it for a classic salon layout. Because the whole catalog shares that grey-and-black language, you can go heavy on quantity without the wall turning chaotic. Space the frames a hand-width apart, keep the sizes deliberate, and let the palette do the unifying work.

suicideboys High Tide in the Snakes Nest poster poster

Browse every Suicideboys poster in this collection (11)

Built to last, made to order

Every $uicideboy$ print at Posters Base is produced on heavyweight matte museum paper, the kind of uncoated fine-art stock that kills glare and lets the deep greys and blacks of the G59 artwork sit rich and flat instead of shiny and cheap. Colors are laid down with archival pigment inks so the print holds its tone for years rather than fading to a washed-out ghost of itself.

Each poster is made to order. Nothing sits in a warehouse waiting; your size and frame choice are printed and finished once you order, which keeps the catalog wide and the quality consistent from the first EP cover to the debut album. Handle a new print by the edges, keep it out of direct sunlight, and if you framed it, a soft dry cloth on the glass is all the upkeep it needs.

Whether you are marking your favorite era or filling a wall with the whole grey world, these are prints meant to be lived with. Pick your cover, choose your size and frame, and let Posters Base handle the rest.

Good to know about Suicideboys

$ is a duo of cousins: Ruby da Cherry (Aristos Petrou) and (Scott Arceneaux Jr.), also known as Scrim, both raised in the New Orleans area of Louisiana.
The two formed the group in 2014 with a now-legendary pact: if their music career did not work out, they had agreed they would both take their own lives, which is where the dark name comes from.
They own and run their own independent label, G59 Records, and have kept their catalog fiercely self-released rather than signing away to a major.
The G59 name is commonly explained as Grey Five Nine, tying the group's signature grey aesthetic to Highway 59 near their home region, and it doubles as the number stamped across their 9-priced merch lore among fans.
Before hip-hop, Ruby da Cherry came up as a drummer in the punk scene, playing in the band Vapo-Rats, which is a big part of why the G59 sound carries so much metal and punk grit.
In their early years the duo were absurdly prolific, releasing a flood of EPs and mixtapes across 2014 to 2016, including the entire Grey era covered in this collection.
I Want to Die in New Orleans (2018) was their first proper studio album and debuted at number 9 on the US Billboard 200, a landmark for a fully independent act.
Stop Staring at the Shadows arrived in 2020 during a chapter when the two briefly recorded under their real-name aliases rather than the group banner.
Their second studio album, Long Term Effects of Suffering, followed in 2021, and though it is not part of this poster catalog, it shows how far the grey world traveled from the early EPs.
In 2023 the group ran the Yin Yang Tapes, a seasonal EP series that dropped new music every Friday for four straight weeks, proof the prolific G59 work ethic never faded.

Suicideboys Posters: from GrayGrey to DIRTIESTNASTIESTUICIDE

Every Suicideboys design and vision

Why the $uicideboy$ aesthetic belongs on a wall

From the debut album to the Grey era

A quick buying guide

Gallery-wall ideas

Built to last, made to order

Good to know about Suicideboys

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