Austin Richard Post turned a made-up surname into one of the most-certified names in modern music. Born in Syracuse and raised in Grapevine, Texas, he blended hip-hop, pop, rock and country until the genre labels stopped mattering. His father, once a DJ, fed him everything from rap to country to rock, and you can hear all of it in the catalogue. He now holds a record nine RIAA diamond-certified singles, second only to Drake, alongside dozens of platinum plaques. Each of his studio albums marks a distinct chapter, and the cover art is as recognisable as the hooks. This collection gathers museum-quality prints of every era, from the hazy debut to the guitar-driven reinvention, so you can hang the whole story in order.
The come-up (2016 to 2018)
Stoney arrived on 9 December 2016 as his debut, powered by the breakout single White Iverson and the Quavo-assisted anthem Congratulations. It proved a genre-blind sound could still sell, going triple platinum and eventually spending well over a hundred weeks on the Billboard 200, one of the longest runs of any album from its era. The artwork carries the same laid-back, smoke-tinged mood that made the record a dorm-room staple and a fan favourite.
Beerbongs and Bentleys followed on 27 April 2018 and detonated every streaming record in sight, breaking Spotify's first-day mark worldwide with almost 79 million plays. Led by Rockstar with 21 Savage, which held number one for eight weeks, and Psycho with Ty Dolla Sign, it debuted at number one and cemented him as a chart force with a rockstar swagger. The bold cover print suits a brighter, louder wall, and it pairs naturally with the debut beside it.
The peak (2019 to 2022)
Hollywood's Bleeding landed on 6 September 2019 and became his defining statement. It carried Sunflower with Swae Lee, later the first song ever certified double diamond by the RIAA, plus Circles and Wow, and it spent multiple weeks at number one on the Billboard 200. The record widened his palette toward pop and rock without losing the hooks, and the stark, name-in-lights cover is one of his most collectible pieces.
Twelve Carat Toothache, out 3 June 2022, is his moodiest and most personal record, with guests ranging from Roddy Ricch and Doja Cat to Fleet Foxes and The Weeknd. It traded some of the party energy for reflection, and that introspective tone gives the poster a darker, more textured feel that anchors a grown-up space rather than shouting over it. It is the quiet centrepiece of the set.
The reinvention (2023)
Austin, released 28 July 2023, is named after him and marks a clean break. He played guitar on every track, and it is his only album with zero guest features, a bright guitar-pop record that leans into songcraft over the trap production of his early years. It closed one chapter of his sound and opened another, and the cover is the most colourful of the set, a natural centrepiece for a modern room.
Every poster is printed on heavyweight archival paper with rich, fade-resistant colour, and sizes run from compact A4 up to statement A1. Choose unframed for flexibility with your own frames and clips, or framed for a finished, ready-to-hang piece straight out of the box. A4 and A3 suit desks, shelves and tight nooks, while A2 and A1 command a bare wall on their own.
These covers were built to hang together. Run all five chronologically for a full-discography timeline, or mix eras for contrast: the warm haze of Stoney beside the bright pop of Austin, the neon of Hollywood's Bleeding against the shadowed Twelve Carat Toothache. Matching frames and even spacing keep a multi-poster wall looking intentional rather than cluttered, and a single A1 statement piece works just as well solo above a sofa or a bed.
