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Gorillaz Posters

Gorillaz Posters are museum grade art prints inspired by Gorillaz. Album cover art across the Gorillaz discography, printed to order. Each print is produced on 200 gsm matte paper with archival inks, offered A4 to A1, framed or unframed.

Formed
1998 (Albarn & Hewlett)
Covers in hub
10 album sleeves
Sizes
A4 to A1, framed or unframed

Gorillaz is the rare band whose artwork is inseparable from its music, because the band is artwork: four animated characters dreamed up in 1998 by Blur's Damon Albarn and the comic artist Jamie Hewlett. Every album cover is an illustration, a new episode in the lives of 2-D, Murdoc, Noodle and Russel, which is exactly why the discography hangs so well — these are drawings built to be looked at, not promo photos. This collection reproduces those sleeves as prints, each produced to order on 200 gsm matte paper, in sizes from A4 to A1, framed or unframed.

The early run: Gorillaz and Demon Days

The story starts with the self-titled Gorillaz (2001), the cartoon band's scruffy, graffiti-edged introduction, and peaks early with Demon Days (2005), whose grid of four faces in the dark became one of the most recognisable covers of the 2000s. Hung side by side, the two mark the moment the project went from novelty to phenomenon. They are the prints most fans reach for first, and at large sizes Hewlett's linework stays crisp and bold — the whole point of art drawn rather than shot. Demon Days in particular rewards an A2 or A1: the four faces emerging from black have the graphic punch of a film poster, and on a matte print the deep shadows stay deep instead of greying out.

gorillaz Plastic Beach poster poster

Plastic Beach, Humanz and the concept covers

From Plastic Beach (2010) onward the covers became worlds. Plastic Beach set the band on a pink island built from pollution; Humanz (2017, here in its deluxe sleeve) went to a crowded, party-at-the-end-of-the-world collage; The Now Now (2018) pulled back to something calmer and blue. Each is a self-contained scene, which makes them strong single statements on a wall — pick the album whose world you lived in, blow it up to A2 or A1, and it carries a room on its own.

gorillaz Cracker Island Deluxe poster poster

Cracker Island and the recent records

The recent run keeps the invention going. Cracker Island (2023) is here in both its standard and deluxe sleeves, bright and cult-like in its imagery, and it pairs naturally with the earlier concept covers. For the deeper fan, the collection also holds side releases — the odds-and-ends set D-Sides and the dub remix project Laika Come Home — the kind of covers that signal you know the band past the singles. Together the recent and rare sleeves round the discography out beyond the obvious hits.

gorillaz The Fall poster poster

A drawn universe on one wall

Because every Gorillaz cover comes from the same four characters and the same hand, the prints group better than almost any other band's. Four album sleeves in matching frames do not read as four posters; they read as a comic strip, a continuous world with its own cast and colour. The matte finish suits Hewlett's flat, inked style perfectly — gloss would bounce a lamp straight off the bold colour, while matte keeps the ink clean and even. Build a wall of eras, or let one scene stand alone; either way the art behaves like illustration, which is what it has always been. It is also why a Gorillaz wall tends to read as a single collected story rather than a stack of band merch — the characters carry across every frame.

gorillaz Laika Come Home poster poster

Sizes, paper and framing

Every Gorillaz poster is printed on demand, so the colours are fresh and nothing fades on a shelf. Choose A4 for a cluster, A3 and A2 for the main wall, or A1 when one cover should carry the room. Frames come in black or white; unframed prints ship flat. For neighbouring walls, see our music artist posters hub, or cross to Frank Ocean posters, The Weeknd posters and Linkin Park posters.

gorillaz Gorillaz poster poster

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