Pulp Fiction Posters | Framed & Unframed

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Pulp Fiction Posters are museum grade art prints inspired by Pulp Fiction. Scene art and key art from Tarantino's Pulp Fiction, printed to order. Each print is produced on 200 gsm matte paper with archival inks, offered A4 to A1, framed or unframed.

Released: 1994 (Quentin Tarantino)
Awards: Palme d'Or · Oscar, Best Original Screenplay
Sizes: A4 to A1, framed or unframed

Few films are as instantly readable on a wall as Pulp Fiction. Quentin Tarantino's 1994 crime picture won the Palme d'Or at Cannes and the Oscar for Best Original Screenplay, and it did it by cutting three Los Angeles stories into the wrong order and trusting the audience to keep up. That confidence shows in its imagery: a diner, a dance floor, two men in black suits, a briefcase that glows. This collection turns those moments into prints — some built around a single scene, some keeping the classic key art — each produced to order on 200 gsm matte paper in sizes from A4 to A1, framed or unframed.

The diner, the dance and the duo

The scene posters are the heart of the set. The diner stand-off that bookends the film becomes a composition in red vinyl and chrome; the twist contest at Jack Rabbit Slim's turns into a retro dance-floor print; and the two hitmen — mid-conversation, unbothered — carry their own design. These work because Pulp Fiction's scenes are already staged like posters: flat, frontal, colour-blocked, lit for a single idea. Hang one large and it reads from across a room; hang the diner, the dance and the duo together and you have the film's rhythm on a wall.

Classic key art, reprinted

Alongside the scenes, the collection keeps the straight key art — the plain, typographic Pulp Fiction treatments that put the title front and centre. These are the quieter prints, the ones that sit in a hallway or a reading corner without shouting, and they pair cleanly with the louder scene posters when you want contrast on the same wall. Printed on matte stock, the deep blacks stay deep and the title type stays crisp at any size.

A pixel-art take: Angelo Stirbat

The outlier in the set is a pixel-art reworking of Pulp Fiction by Angelo Stirbat, which rebuilds the film's iconography block by block. It is the design for people who love the film and the look of early game art in equal measure, and it brings a different energy to a grouping otherwise built on photography and type. One of these next to a classic key-art print is a small argument about how the same story can be drawn two completely different ways.

Tarantino's colour and type

Part of why Pulp Fiction reads so well as a poster is its design sense. Tarantino built the film around strong, flat colour — the red of the diner booths, the warm neon of Jack Rabbit Slim's, the black of the suits against pale skin — and a bold, pulp-paperback typography that the key art borrows directly, down to the dog-eared paperback framing of the title. Reproduced on matte stock, those blocks of colour stay even and saturated, and the title type keeps its weight at any size. It is the rare film whose look was already halfway to a print before anyone designed a poster for it, which is why even the plainest treatment here carries a wall. That graphic confidence is also why the scene posters and the straight key art hang together without clashing: they speak the same visual language, so a grouping reads as one piece rather than a pile of stills.

Sizes, paper and framing

Every Pulp Fiction poster is printed on demand, so the colours are fresh and nothing fades on a shelf. Choose A4 for a cluster, A3 and A2 for the main wall, or A1 when a single scene should carry the room. Frames come in black or white; unframed prints ship flat. For more of the same era and attitude, see our movie posters hub, or cross to The Godfather posters, Batman posters and Alien posters.

Pixalated Pulp Fiction x Angelo Stirbat poster

Browse every Pulp Fiction poster in this collection (8)

The diner, the dance and the duo

Classic key art, reprinted

A pixel-art take: Angelo Stirbat

Tarantino's colour and type

Sizes, paper and framing

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